Review: Murder in Mykonos by Jeffrey Siger

Andreas Kildis has a new job as chief of Police on the Greek Island of Mykonos. He’s not particularly happy with his promotion as it has, he believes, taken him away from the action in Athens. However, soon after he arrives he is called to one of the island’s many churches where the body of a young woman has been discovered. It soon transpires that a serial killer of beautiful young foreign women has been operating un-noticed for 20 years or so. While trying to hide the fact of the killings in case the tourists flee the island, Kildis and Tassos Stamatos, a Homicide investigator from a nearby island, have to track down the killer who they believe has kidnapped a young Dutch tourist in readindess for another murder.

I admit I’ve only spent a couple of days on Mykonos but I hated every minute of them (if you’ve never been there perhaps imagine an Ibiza full of holidaying Brits or Cancun during American Spring break). I do have a sense that Siger has captured the essence of the place which he depicts as one of natural beauty that the thousands of visitors there at any one time seem to go out of their way to ignore while they get drunk and have meaningless sex with strangers. The politics of corruption, misogyny and cover-up, particularly when it comes to protecting the island’s only viable industry, tourism, is also drawn very realistically. I don’t imagine Siger, an American who lives for part of each year on the island, will be on the local tourist board’s Christmas card list.

The rest of the book though, for me, wasn’t terribly believable or very entertaining. For a start I’m a bit fed up with serial killer novels in general (unless someone can offer a genuinely interesting slant such as Rob Kitchin’s The Rule Book which I read last month). The disproportionate number of such killers in fiction versus the real world makes most tales featuring them read like make-believe and I think I may have reached my lifetime saturation point for reading descriptions of young women being ickily tortured and killed because there’s a psychotic with a fetish on the loose. To be fair the descriptions of such activities in this book are at the less gruesome end of the gore scale but still I’ve had my fill. Personally I think the story of the single kidnapping of the young Dutch woman was suspenseful enough on its own and would still have provided Siger the opportunity to incorporate lots of local flavour. Looking for Hannibal Lecter behind every olive tree didn’t add anything of value for me.

The other disappointing aspect of the novel was the plotting which grew increasingly ludicrous. I actually imagined the author sitting back somewhere laughing at how he’d managed to get away with publishing such a nonsensical ending. A handful of potential suspects had been clumsily introduced earlier in the novel and, seemingly, one picked at random to be revealed as the culprit on the last page.

This is Siger’s debut novel and he does show potential with aspects of his writing like the character of Andreas Kildis who wrestles credibly with his need to investigate properly versus his desire to do what’s necessary politically to get himself back to Athens. However I can’t imagine myself rushing out to pick up the next book in this series if the plot and subject matter are as predictable and superficial as in this one.

♦ ♦ ♦ ♦ ♦

My rating 2/5

Publisher: Poisoned Pen Press [2009] ISBN: 978-1590585818 Length: 288 pages Setting: Mykonos, Greece, present-day

♦ ♦ ♦ ♦ ♦

Murder in Mykonos has also been reviewed by Lesa’s Book Critiques, Reading is vital to my Sanity who both liked it far more than I did and also by L J Roberts, an Amzon reviewer whose reviews I follow who seemed to share my feelings.

Note to publishers: it’s 2010, you can’t hide the world from us now

Is everyone in the publishing supply chain as out of date as it appears or has someone perfected the art of time travel and managed to go back to 1973 (or thereabouts) when there wasn’t a nasty old internet or a global economy to speak of?

I am a fan of audio books and my main source of these for the past year has been Audible*. Unfortunately Audible is forced to discriminate against me on a regular basis. Approximately half the books I try to buy are unavailable to me because of geographic publishing rights restrictions (as in this example). It doesn’t impact me because I don’t have an e-reader but my Kindle-owning fellow Australians are equally aggrieved by equally asinine and antiquated rules relating to their format of choice.

In 2010 who is served by restricting sales in this way? It’s certainly not readers (or listeners in this case) many of whom, like me, live in one blob of land but talk to and carry out business with people in other blobs of land on a regular basis. Not unreasonably (I really am a very reasonable person when I’m not dealing with backward thinking morons) many readers like to read a book soon after the author has gone to the trouble of writing it rather than waiting months (or years) for some technologically illiterate number cruncher in a suit to make the book available in each separate blob of land.

Are authors, agents or publishers served by these restrictions? I’d argue not. If they think that restricting people like me from legitimately buying the book in the format I want at the time of my choosing will force me to wait until they’re ready to sell it to me at their whim they are sadly and very much mistaken.

I simply won’t buy such restricted books. Ever. The CD versions of audio books are prohibitively expensive (usually about three times the price of a downloadable version) and anyway (I know I keep repeating this but I’m quite sure these publishing types don’t own a bloody calendar) it’s 2010. I, along with about half of humanity, don’t listen to CDs anymore. Also (showing I can be as ornery as the Neanderthal publishing types) I make it a point never to buy the print version of a book that I have been geographically restricted from buying in audio format.

Just to be clear, that doesn’t necessarily mean I won’t read the book. It just means I’ll never pay anyone for the privilege.

So, here is my advice to all involved in the publishing chain (honestly I’ve been reading about this issue for months now and I still can’t tell who is most to blame because publishers blame authors and authors blame agents and agents blame publishers and you get the point so I’m lumping everyone together in one bucket of people as deranged as the IOC who sell broadcast rights which they believe allows them to prevent athletes using their own names on the internet):

It’s 2010. Deal with it. However hard it might be, the alternative will be a heck of a lot harder.

*Audible is an online store offering around 60,000 audio books for download in any almost any format you could want and listeners can either buy items on an ad hoc basis or pay a monthly membership fee entitling them to one or two books a month. Aside from the forced discrimination described above (which I do not blame Audible for) Audible is the best online store I have ever dealt with in terms of customer service, product range and value for money offered to consumers (and no they didn’t pay me to write that).

Crime Fiction Alphabet – S is for Stranglehold

My contribution for the S round of the Crime Fiction Alphabet is Jennifer Rowe’s Stranglehold. Like most of the six novels featuring Verity Birdwood it’s an Agatha Christie inspired variation on the country house mystery. It tells the story of Max Tully; a wealthy radio host in Sydney who throws a big party for his 70th birthday at which he makes some surprising announcements. Afterwards he starts receiving nasty anonymous letters and invites Verity, a private detective as well as the daughter of his old friend and current boss, to ‘Third Wish’, his opulent cliff top house overlooking the sea. Also staying at the house are his adult children, his estranged third wife and his new fiancée. When one of them is murdered Verity must determine whether the culprit is one of the guests or a nearby neighbour.

I admit I am something of a sucker for these slightly old-fashioned whodunits of cleverly constructed plots and groups of people with mysterious secrets. In Stranglehold Max Tully has some secrets from his childhood that influence his behaviour decades later and all the members of his household have secret desires or grudges or fears that come into play at some point in the story. The story is more believable than many in the genre for several reasons including the facts that the body count stops at one and the family relationships are very realistically depicted.

I really enjoy Verity as a character. Although an amateur sleuth turned professional detective she’s really not at the ‘cosy’ end of the scale being a somewhat unemotional person who thinks a crime through in her head in a way that is reminiscent of M. Hercule Poirot using his little grey cells. However she’s also quite funny, if a little acerbic, and is smart enough to get away with her superior attitude.

Jennifer Rowe was the first Australian writer of crime fiction that I discovered (with 1988’s Grim Pickings) and I always wish she had written more than her eight books. However, under her real name of Emily Rodda she’s been a little busy publishing around 50 books for children so I guess I have to cut her a little slack.

I reviewed another of Jennifer Rowe’s Verity Birdwood country house mysteries, The Makeover Murders, back in 2008

Review: The Way Home by George Pelecanos

Chris Flynn is a middle-class white boy whose life goes off the rails after teenage bravado turns sour and he spends some grim time in Pine Ridge juvenile detention facility. When he’s released he starts working for his father’s carpet installation business and things are smoothing out for Chris until he and his workmate and friend Ben, another former inmate of Pine Ridge, find a bag of money in an empty house. What next?

This beautifully narrated audio book seemed to me to be first and foremost an examination of the impact little decisions have on our lives. At almost every point in the story things could have gone one of two ways for someone but their decisions could not have appeared life-altering at the time. My heart was literally wrenched when Thomas Flynn realised that the things he did, and didn’t, teach his son Chris when the boy was small were reverberating in their lives many years later. I’m always intrigued by books in which the road not travelled plays a significant role.

The other strength of the novel is its flawed but very human characters. Almost all of them are men of varying backgrounds, race and criminal status and as an exploration of what it means to be a man in urban America the book is fascinating. There were multiple occasions where my first reaction to an event or an action taken by one of the characters was to mentally scoff ‘as if’ before it would dawn on me that I was approaching things from the perspective of a carefree Australian woman whose only time in prison has been a couple of hours on a guided tour of Alcatraz while a boat waited to spirit me away to a seafood dinner at Fisherman’s Wharf. This is a point of view which shares nothing with the world seen through the eyes of the characters in this book. Many of the reviews and comments I’ve seen about the book and Pelecanos’ writing in general mention his undoubted grasp of the male psyche but I found the look into the American state of mind, a thing equally foreign to me, just as compelling.

I wasn’t as taken with all of the writing. While there were some truly stunning passages, especially those describing the surroundings of and experiences at Pine Ridge, there’s also a heck of a lot of unnecessary detail for a relatively short book. It’s difficult to reference an audio book but an example of the kind of thing I mean is the point where Ben and Chris are getting ready to install a carpet and the narrative went something like “they untied the red flag from the roll of carpet, then they took the carpet roll from the van and took it to the porch, then they went back for the roll of padding and took that to the porch”. Yawn.

I also had a bit of a gripe with The Message (capitalisation deliberate). Yes Pelecanos’ politics concerning young offenders and the way society deals with issues such as drug use is the opposite of most mainstream commentators but he’s no less ‘preachy’ about the subject than the average radio shock jock. The descriptions of the facilities and events at Pine Ridge demonstrated that locking kids up in awful surroundings and treating them like dirt is, at the very least, counter productive. I didn’t need to also be bludgeoned over the head with additional academic-style lectures about improving the system inserted clumsily into the narrative. I’m no less annoyed at being preached at by people whose views I concur with than those whose opinions make my stomach turn.

Overall though The Way Home was a reading experience that took me outside my comfort zone and my enjoyment of it, despite being confronted several times by my own subtle prejudices and pre-conceived ideas, reminds me that I should do this much more often. I’d recommend the book fairly universally but especially to those who like character-driven narratives and anyone who is interested at all in the things that can go wrong, and right, between a father and his son. This was my first novel by Pelecanos and I’m keen to read more.

♦ ♦ ♦ ♦ ♦

My rating 4/5

Narrator: Dion Graham; Publisher: Hachette Audio [2009] ISBN: n/a (downloaded from audible.com) Length: 8hrs 45mins; Setting:Washington DC, USA, present day

♦ ♦ ♦ ♦ ♦

The Way Home has also been reviewed by Ben at Material Witness (whose review prompted me to read the book, thanks Ben) and Barbara at Mystery Scene Magazine. Also Margot at Joyfully retired gives an insight into how she and her husband discussed the book and the many issues it raises.

Crime Fiction Alphabet – R is for Reflections

This week my contribution to the Crime Fiction Alphabet will discuss a book I really enjoy by a crime writer I rarely see discussed in crime fiction circles.

Reflections is the third of Jo Bannister’s Brodie Farrell series and was published in 2003. Brodie is a single mum who fairly recently started a new job ‘finding things’. Sometimes she finds an antique or collectible that someone doesn’t have the patience to track down, other times she finds information. The one thing she doesn’t find is people which is due to her disastrous first case (depicted in Echoes of Lies). However in Reflections she is asked to do just that. A man is referred to her by the local Police Superintendent, who also happens to be Brodie’s some-time lover Jack Deacon, to track down a woman. He needs to find the woman because she is the aunt of two girls, Johnny and Em, whose mother has just been murdered by, in all likelihood, their father. Brodie takes on the case and also suggests her friend Daniel Hood as a possible tutor for the girls who had been home-schooled by their mother until her death.

I like the regular characters that Bannister has created for this series as well as the new ones she introduces specifically for this book. While the crime and its investigation are gripping, it’s really seeing how the people interact with each other and trying to work out what’s making them tick that makes this book interesting. Brodie has two equally strong relationships with the two men, Daniel and Jack, though only one is a romantic relationship but the triangle is intriguing. Daniel has been the victim of some rather gruesome torture and while he’s still dealing with the fallout he’s a terrific character of the unlikely hero variety. Due to his own experiences he seems to be the only person who can connect with Johnny and Em as their world falls apart.

Reflections has great characters, a ripping yarn and a rather good twist in the tale. It’s well worth a read.

♦ ♦ ♦ ♦ ♦

There are, so far, 8 other books in the Brodie Farrell series and Bannister has also written several excellent stand-alone novels, a solid police procedural series and two books featuring a crime solving advice columnist. I haven’t read all her books but have always enjoyed the ones I have read.

Bannister lives in Northern Ireland but I can’t recall any of her books being set there, everything I’ve read, including Reflections, has been set in England.

Vale Dick Francis

I was very sad to wake to Monday morning with the news that former jockey and prolific writer of action thrillers Dick Francis has died at the age of 89. When I was growing up the library we used was run by a rather taciturn woman who didn’t really approve of mysteries but she did make an exception for Dick Francis so I was introduced to him at an early age and he has remained a sentimental favourite of mine. I’m confident I’m not alone because when I was younger and did a lot of backpacking and was always scrounging for novels in English to read I could always count on finding a Dick Francis novel even in the most far flung part of the world.

If you want to know a little more about Dick Francis I have featured him several times in my blog’s short life including a post with fun facts about Francis, a review of Silks which he wrote with his son and most recently as my contribution to the Crime Fiction Alphabet for the letter N.

Of course you can find out much more at his website.

Review: Singing to the Dead by Caro Ramsay

I read and really enjoyed Caro Ramsay’s first book Absolution in my pre-blog days and was very keen to read her second book, featuring some of the same characters. SPOILER ALERT: In this review I am by necessity going to talk about an event that took place at the end of the first book so if you haven’t read that one and want to without knowing what happens at the end please avert your eyes.

As Singing to the Dead opens readers are introduced rapidly to several story arcs. In the first of the two main threads two small boys have gone missing in Glasgow but it’s hard to know if they might have been kidnapped or are runaways due to their fairly grim home lives. There’s also an elderly man who has been killed in a house fire but Police soon learn that there might be something more sinister at play as it seems he may have been poisoned. The Police at Partickhill station are still recovering from the loss of their old DCI,  Alan McAlpine, and are having to deal with a new boss who they find it hard to like.

Ramsay’s strength lies in her ability to create very credible characters, in particular because she doesn’t shy away from depicting unlikable people who still manage to do good things. This is rarer than it ought to be in fiction. Not that all the characters are unlikable of course though, as in life, some of them are but, again as in life, pure evil is rare. These kind of complex characters are far more interesting than easily identifiable heroes and villains. Between a whole police squad and all the players needed to keep several story arcs running there are quite a lot of characters but I never found myself overwhelmed. In fact I enjoyed the literary version of an ensemble cast in which no one character really played a lead role. On top of maintaining interest it made it harder to predict what would happen and who would turn out to be the bad guy(s).

Ramsay also juggles her many threads well and it would be a fussy reader indeed who couldn’t find enough content to keep one’s mind whirring with all that’s going on in this book. That said, I found the middle of the book a bit ‘woolly’ and think it could have done with tighter editing. There was some duplication and labouring of points, particularly in the thread concerning Eve and her sister Lynne, which slowed down the action and made the book longer than it needed to be (another 500+ page tome). However, the stories are wrapped up masterfully and even if you predict the outcome of one thread I suspect you’ll struggle to work them all out.

This is quite a different book to Absolution. It doesn’t have the emotional punch of its predecessor but on the flip side it’s far more complex and suspenseful. Overall I found it an excellent follow-up book, not least because it didn’t stick to exactly the same formula as the first which shows the author isn’t afraid to take some risks and I have to applaud that.

♦ ♦ ♦ ♦ ♦

My rating 4/5

Publisher: Penguin; ISBN: 978-0-014-102925-2; Length: 510 pages; Setting: Glasgow, Scotland, present day

♦ ♦ ♦ ♦ ♦

Singing to the Dead has been reviewed by Donna’s dad at Big Beat from the Badsville, Karen at Aust Crime Fiction and Pat at Euro Crime

However good her writing is this author still gets my award for ‘author who least understand the point of the internet in 2010′. My unsolicited advice to Ramsay or anyone trying to present a ‘public face’ online is that if you can’t update your website in more than 3 years (it still shows Absolution as her only published novel although it does have a link to what was presumably an early title for Singing to the Dead) and you’re not going to post to your blog then don’t have them. Better still, learn.

And while I’m in rant mode may I please have permission pour paint on the next person who writes that Ramsay is a ‘female Ian Rankin’? Not only is it a completely nonsensical thing to say [we get it, he's Scottish, she's Scottish but that's just about where the similarity ends] but nonsense does not become intelligent just because it is repeated endlessly.

Review: Evil Under the Sun by Agatha Christie

I’ve been on a bit of an Agatha Christie kick since discovering that David Suchet has narrated some of the audio books which feature Hercule Poirot and have discovered that the old stories, which I’d thought would be a bit dated and uninteresting, are, for the most part, entertaining tales.

Evil Under the Sun is familiar territory for Christie in that it’s a variation on the country house mystery, although the cast of characters are guests at a seaside hotel in Devon this time around. Arlena Marshall is a beautiful actress* staying at the hotel with her husband Kenneth (he’s her second or third, I can’t remember) and his daughter Linda. Also at the hotel are an elderly American tourist couple, a female fashion designer who has known Kenneth Marshall for many years and a young English couple: the Redferns. After some establishment scenes in which it is assumed that Arlena is having some kind of entanglement with Patrick Redfern her body is discovered in a secluded cove near the hotel and Hercule Poirot, a guest himself, must investigate the crime.

So far in my meandering journey through Agatha Christie audio books I’ve read four books narrated by David Suchet and this was the least entertaining for me. The story isn’t terrible by any standards but it doesn’t have the drama of Murder on the Orient Express, the humour of Dead Man’s Folly or the exotic characters and setting of Death on the Nile and therefore seems a bit under done. As Margot Kingberg points out in her recent post about the book the victim in this instance is a virtual non-event and it’s hard to care that she’s been murdered. The rest of the characters are more interesting than Arlena but none of them really got under my skin enough to worry much about whether or not they were the murderer. Quite a few of the characters, including the American tourist couple and the retired army captain, were excruciatingly stereotyped and I had an urge to fast forward any sections in which they appeared.

The ultimate resolution to the crime was suitably complicated for a Christie tale but because I didn’t really care much for any of the characters it felt like it took a long while to get there. Poirot’s dénouement this time takes place after he takes everyone to the murder site for a picnic and some kind of test of something that I have now forgotten and I thought involved one or two more absurd leaps of logic than he normally would engage in.

I guess in a body of work that includes something like 70 novels and numerous plays and short stories it’s to be expected that all titles won’t appeal to all readers in quite the same way. Evil Under the Sun is a perfectly enjoyable book but, for me, didn’t have the spark of drama and intrigue that I’ve come to expect.

*what is Christie’s fascination for actresses? she’s always killing them off in nasty ways or portraying them as insane murderers

♦ ♦ ♦ ♦ ♦

My rating 3/5

Narrator: David Suchet; Publisher: Harper Collins Publishing; ISBN: N/A (downloaded from audible); Length: 6hrs 24mins ; Setting: England

♦ ♦ ♦ ♦ ♦

Do check out the thoughts of Christie fan Margot Kinberg who featured this book as a contribution to the Crime Fiction Alphabet a few months ago. Margot is something of a Christie expert and her insights into the books are always worth reading. I agree with Margot on one crucial point: the 1982 film version staring Peter Ustinov as Poirot is utterly dreadful and is to be avoided at all costs.

If you’re thinking of reading some Agatha Christie yourself you should check out (and perhaps join) the Agatha Christie Reading Challenge

And if you’re interested in more Christie novels narrated by David Suchet try

It’s not that I’m ungrateful but…

…I do hate being told what to do (always have done, always will do, it gets me into more troublesome situations than you can imagine).

However I would be remiss if I didn’t mention that I received an award over the past few days. The Award is the Prolific Blogger Award which is awarded to a blogger who is intellectually productive… keeping up an active blog that is filled with enjoyable content. I’m sure you’ll agree it also comes with a most beautiful image (I love the colours and the symmetry and the dog under the table – it’s gorgeous and makes me wish I had creative talents in that direction).

It’s ironic that I was so honoured just as I’d spent a whole week without posting a single thing on my blog but every blogger knows that sometimes life gets in the way. And occasionally you’ve got nothing to say! Anyway, I was given the award by JoV over at Bibliojunkie. We started book blogging around the same time and although we read different kinds of books we enjoy each others’ blogs. JoV does great, in-depth reviews of all sorts of books and is re-igniting my interest in non-crime fiction. And just quietly I’m influencing JoV to read the odd crime novel too.  JoV has joined the global challenge and I’m looking forward to hearing what she thinks about the Aussie books I recommended. Meanwhile I’m going to be reading Graham Greene’s The Quiet American in the next week or two which she recommended to me. And therein lies the circle of life in book blog land.

I then received the award a second time from Norman at Crime Scraps. As his blog name might suggest he blogs mostly about my favourite genre and does it beautifully. He writes wonderful, thoughtful reviews full of perfect quotations that really give you a sense of the book and whether or not it’s the kind of thing you would like. Norman also does great author interviews and runs a quiz that I just don’t even have the stamina to start. I am not worthy. Norman is particularly fond of historical crime fiction and he’s been getting me hooked too. My favourite read for the year so far was recommended by Norman (Ariana Franklin’s Mistress of the Art of Death which I still love even though some people at the 4MA discussion about the book have been quite derogatory about its historical accuracy) and there are several more of his recommendations sitting on my TBR shelves. I also enjoy Norman’s occasional references to his past life in the health sector (he is a retired dentist) as I work in that sector too (though thank heavens for all concerned I’m in administration rather than looking after people’s health) and can recongise many of his frustrations.

So I am happy to say a heartfelt thanks to both of these great blogs for the award and to acknowledge Advance Booking for starting the love but I’m not going to follow the other rule about passing the award on. Aside from my natural aversion to the words ‘must’ and ‘has to’, a quick look around the blogosphere tells me that a large proportion of the blogs I love have already received this award from people far less tardy than me.

Game, Sets and Matches

How is it that I’m too busy to wash my filthy windows or finish the report that has to be done by Friday but managed to find the time to ponder Maxine from Petrona’s latest challenge to arrange one’s books in ‘sets’? All these books are either sitting in the TBR book case or waiting in the TBR playlist on my iPod. I only used each title once and only used the fiction titles (almost all of which are crime fiction). Frankly all I’ve proven is that I’m easily distracted and acquire too many books (the 85 listed below equal only slightly more than half of my total unread books, many of which appear in this photo). But I had fun.

HOW YA FEELIN’?

  • Evil Intent, Kate Charles
  • Above Suspicion, Lynda La Plante
  • The Torment of Others, Val McDermid
  • Morality for Beautiful Girls, Alexander McCall Smith
  • Terror on Tuesday, Ann Purser
  • Hurting Distance, Sophie Hannah
  • The Righteous Men, Sam Bourne
  • Shame, Karin Alvtegen
  • One Good Turn, Kate Atkinson
  • The Betrayal, Gillian Slovo
  • Flawed, Jo Bannister

FAMILY TIES

  • The Grass Widow, Teri Holbrook
  • The Memory Keeper’s Daughter, Kim Edwards
  • The 19th Wife, David Ebershoff
  • First family, David Baldacci

GET A JOB

  • The Historian, Elizabeth Kostova
  • The Cleaner, Brett Battles
  • Shaman Pass, Stan Jones
  • The Laughing Policeman, Maj Sjowall & Per Whaloo
  • The Bishop Goes to University, Andrew M Greeley

HEAVEN OR HELL

  • A Prayer for the Damned : A Mystery of Ancient Ireland, Peter Tremayne
  • When the Devil Holds the Candle, Karin Fossum
  • The Brotherhood of the Holy Shroud, Julia Navarro
  • Dark Angel, Karen Harper
  • Hell Hole, Chris Grabenstein
  • Sanctum, Denise Mina

LET’S EAT

  • One Bad Apple, Sheila Connelly
  • Crime Brulee, Nancy Fairbanks
  • Eggs Benedict, Laura Childs
  • Candy Apple Dead, Sammi Carter

AND THE THIGH BONE’S CONNECTED TO….

  • Little Face, Sophie Hannah
  • A Nail Through the Heart, Timothy Hallinan
  • Boneyard, Michelle Gagnon
  • Bleeding Hearts, Lindy Cameron
  • The Mind’s Eye, Hakan Nesser
  • The Body on the Beach, Simon Brett
  • The Lovely Bones, Alice Sebold

IT’S ALL OVER WHEN IT’S OVER

  • Kiss of Death, P D Martin
  • The Dead House, Maria Simms
  • And Hope to Die, J. M. Calder
  • Deadset, Emma Tom
  • The Bloomsday Dead, Adrian McKinty
  • Death at La Fenice, Donna Leon
  • No Cure for Death, Hazel Holt
  • Scent to Her Grave, India Ink

WHERE WOULD YOU LIKE TO GO TODAY?

  • A Death in Tuscany, Michele Giuttari
  • Mrs Di Silva’s Detective Instincts and the Shaitan of Calcutta, Glen Peters
  • The Kalahari Typing School for Men, Alexander McCall Smith
  • The Danish Girl, David Ebershoff
  • The Quiet American, Graham Greene
  • The Irish Village Murder, Dicey Deere

WANNA PLAY?

  • The Wishing Game, Patrick Redmond
  • Slay Ride, Chris Grabenstein
  • The Curse of the Golden Yo Yo, Robin Bowles

WHAT DID YOU SAY YOUR NAME WAS?

  • The disappearances of Madalena Grimaldi. Marele Day
  • Maxwell’s Grave, M J Trow
  • Mrs Malory and the Delay of Execution, Hazel Holt
  • Roseanna, Maj Sjowall & Per Whaloo
  • Detective Inspector Huss, Helene Tursten

I’VE ALWAYS WANTED TO WORK AT THE ZOO

  • Redback, Lindy Cameron
  • In Sheep’s Clothing, Rett MacPherson
  • The Last Camel Died at Noon, Elizabeth Peters
  • The Redbreast, Jo Nesbo
  • A Carrion Death, Michael Stanley
  • The White Lioness, Henning Mankell
  • Imago, Eva-Marie Liffner
  • Death and the Easter Bunny, Linda Berry
  • Murder Bird, Joanna Hines
  • Wolf Hall, Hilary Mantel

IT’S A ZEN THING

  • The Pillars of the Earth, Ken Follett
  • The Shadow of the Wind, Carlos Ruiz Zafon
  • The Fire Baby, Jim Kelly
  • Still Waters, John Moss

HEY BABY IT’S COLD OUTSIDE (I had loads more of these but have been devouring them during our long hot summer)

  • A Colder Kind of Death, Gail Bowen
  • Before the Frost, Henning Mankell
  • Storm Peak, John Flanagan

And a couple of duos to finish off

BLACK IS THE NEW BLACK (this set too would have been much more impressive if I hadn’t read 2 different books called Black Ice and 1 each of The Black Monastery, Blackout and The Black Path in the past 12 months or so)

  • Blackwater, Kerstin Ekman
  • Black Seconds, Karin Fossum

THAT’S JUST SPOOKY

  • The Ghostway, Tony Hillerman
  • The Ghost, Robert Harris

And last, but not least, the old stalwart of crime fiction

WHAT A BLOODY MESS

  • Purity of Blood, Arturo Perez-Reverte
  • The Colour of Blood, Declan Hughes
  • Blood from a Stone, Donna Leon
  • Bold Blood, Lindy Kelly
  • Blood Guilt, Lindy Cameron
  • Blood Born, Kathryn Fox

Now…if only I had something to read