Audiobook Week: My Listening Year

Jen at Devourer of Books is hosting the annual love-fest that is Audiobook Week starting June 6 and has set some topics for daily discussion. I don’t have the time this week to do them all but wanted to at least participate once to show my love for audiobooks. Today’s discussion topic is

Are you new to audiobooks in the last year? Have you been listening to them forever but discovered something new this year? Favorite titles? New times/places to listen? This is your chance to introduce yourself and your general listening experience.

I have always loved being read to but it’s only in the past 3 years or so that I have had easy access to a regular, inexpensive supply of audio books at audible.com (where books are downloadable in a variety of formats and I pay around $12 per book). Now audiobooks are a permanent and significant part of my reading year.

This year I have listened to 23 audiobooks so far for a total of 258 hours and 54 minutes. Most of this is done during my commute to/from work where I am either walking or packed sardine-like into crowded public transport in which any other kind of reading is impossible. Listening on the bus also has the advantage of drowning out the phone-talkers and other annoyances which has, in turn, probably saved a couple of lives over the years. I also occasionally listen to audiobooks while doing housework. Oh let’s be honest, that statement should read I occasionally do housework and when I do I am accompanied by an audiobook.

Two of my four 5 star reads for the year have been audiobooks:

The first was Christopher Brookmyre’s Pandaemonium which I listened to in January and could reasonably have been expected not to like at all given that it’s about a bunch of teenage kids who go on retreat into the Scottish highlands when a schoolmate of theirs dies but the venue is over run by demons which escape from the military facility next door. However it was one of those reading risks that paid off and I adored the writing, the humour and the themes of the book and I didn’t even mind the bloody monster-fighting. The narration by Kenny Blyth is delicious.

The other 5-star audiobook I’ve read this year is Catherine O’Flynn’s What Was Lost. It’s the story of 10 year-old Kate Meaney who lives in Bristol and has opened a detective agency (as you do) and spends a good deal of time at the newly opened shopping mall undertaking surveillance work. After being introduced at length to Kate’s life we learn that she disappears. Twenty years later we meet two adults who work at the same mall and, eventually, the book unravels the rest of Kate’s story. The book has wonderful characters and everything else about it is perfect, including Colleen Prendergast’s marvellous narration which helped me to create vivid images of the people and locations that O’Flynn has depicted. This is my favourite book of the year so far, regardless of format.

 

Review: Pandaemonium by Christopher Brookmyre

I have been reading pretty solidly for 39 years and by now I have a fairly good idea of the kinds of books I like and the kinds of ones I don’t. But not wanting to be entirely predictable I occasionally try something that I think will not be my sort of thing. Just in case. Usually this works out as expected. For example I thought Eat, Pray, Love would be utter pants and it was. But there was a slim chance that it might not have been so I gave it a go. For another example I didn’t really expect to like a horror story in which most of the plot is driven by teenagers (horror being something I grew out of when I was about 20) (around the time I last had a lot to do with teenagers en masse). But in this instance the slim chance was in my favour. I loved Pandaemonium.

The story is a simple one. The senior students of St Peter’s Catholic High School are taken on retreat to a remote spot in the Scottish highlands because one of their classmates stabbed another one of their classmates to death and someone in authority thinks that a bit of hiking is just the thing to get them all over their ordeal. Unfortunately their camp site is next door to a mysterious Ministry of Defence facility at which experimentation goes awry in a major way and the gates of somewhere closely resembling Hell are opened to unleash creatures intent on killing all humans they encounter. The kids therefore have to stop their dancing and snogging and fight for their lives with not much more than their wits and a rolled up tea towel.

A little bit more than half of the story takes place before the fighting of monsters begins which should be a point against the book but Brookmyre takes care to paint such vivid and varied portraits of the children, their teachers and even some of the military types that by the time the monster-fighting started I was heavily invested in the survival of the characters. Their secrets, heartaches, crushes and worries are so credibly human that you can’t help but fall in love with them collectively and hope they’ll triumph over the daemons which you know are just around the corner.

And while on a surface level the language and the violence (I’ll be honest, neither are for the faint-hearted) might lead some to think the book is just cursing and gore there is another level to it. There is the gently laid out moral tale that you wish all teenagers could be made to understand without having to go through the trauma of seeing their friends mutilated beyond recognition. And then there is the deep and very thoughtful questioning of both the trappings of organised religion and the very nature of faith itself. This theme is also not for the faint-hearted though if like me you spent 12 unhappy years in a Catholic girls’ school you just might identify with one of the students and her musings

Most of the time Caitlin can just zone out during mass, let her mind drift so that the tedium passes quicker but occasionally she can’t help but pay attention and that’s when the sheer inanity of it really grates on her cognitive faculties…We believe in one God, the father the almighty, maker of heaven and earth, of all that is seen and unseen, a.k.a the intelligent designer. The Vatican had latterly decided it could accommodate evolution within its view of creation, largely because it could no longer accommodate the embarrassment it was feeling by continuing to do otherwise, but it was adamant that acceptance of evolution didn’t preclude God from having started it. Yes, God set in motion this astronomically complex process but knew all along despite the infinitely branching possibilities created by an incalculable multiplicity of random factors that the end product would be mankind. Begging the question if that was always the plan why did he take the long way round instead of creating mankind right off the bat?…Having waited 9 billion years for earth to form then having held off for another 4 and a half billion for his chosen species to fully evolve he blows his wad early by sending down his Messiah during the Bronze Age? If he wanted us to believe in him and to live by his word couldn’t he have hung on another infinitesimal couple of millennia and sent his miracle working super hero ambassador in the age of broadcast media and other verifiable means of record instead of staking 13 and a half billion years work on the reliability of a few goat herders in an insignificant backwater of a primitive civilization?

Which of course brings us to the writing itself. It is bitingly clever, funny and quick and you sense that every individual word has been carefully considered before being slotted into exactly the right place. How else would a description of teenagers as “sophomoric mind clones pathetically enslaved by the tyranny of cool” come about?

Pandaemonium is undoubtedly not for everyone. If you don’t like rude language, horror-style violence or the questioning of religious dogma then I’d suggest you stay away. But if you can live with those things and enjoy great writing and human characters with all their foibles then give it a go. Even if it doesn’t sound like your kind of thing there’s a slim chance you’ll love it and sometimes taking a risk pays off.

What about the audio book?

Gorgeous. Simply gorgeous. Though (confession time) I might be a little biased. It is narrated by a Scottish bloke (Kenny Blyth) and I adore the Scottish accent. Seriously. A Scottish lad could read me the phone book and I would swoon. Heck I’d swoon even if it was a Scottish lassie. But still, it’s a delight to listen to.

♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦ ♦

My rating 5/5
Author website I couldn’t find one so head to Wikipedia
Narrator Kenny Blyth
Publisher ISIS Audio Books [2009]
ISBN N/A (downloaded from audible.com)
Length 13 hours 3 minutes
Format audio (mp3)
Book Series standalone
Source I bought it