Crime Fiction Alphabet: O is for Old People

Perhaps my inability to really get into YA novels has more to do with the sad reality that I’m closer to receiving my senior’s card than I am to having had a student bus pass.  Anyway, I do rather like old people, both in real life and in my fiction. I know some of ‘em are crotchety and curmudgeonly but I was born that way so I fit right in, and I like the fact they know lots of stuff. There are a surprising number of old people in crime fiction who aren’t doddering or silly and they are some of my favourite characters of all.

One of the world’s best-known and most-loved elderly solvers of mysterious puzzles is Agatha Christie‘s Jane Marple, who appeared in 12 novels and around the same number of short stories. The second novel in which she appears, The Body in the Library (1942), is probably my favourite. In St Mary Mead, the village where Miss Marple lives, the body of a woman in evening wear is found in the library of the home of Colonel Bantry and his wife. Both the Colonel and his wife claim to have no knowledge of the woman or how she came to be strangled in their library but village gossip makes their lives difficult. Eventually, after several other (younger) people muddle around, Jane Marple’s shrewdness and ability to observe human nature unravel the complicated story.

Dorothy Gillman‘s series featuring a grandmother turned CIA agent seems to have been written purely to confound the stereotypes normally associated with old people. In The Amazing Mrs Pollifax (1970) our intrepid heroine travels to Istanbul to make contact with a Russian spy who is a double agent for the Americans but must survive a swag of near-death experiences before arriving home safely.

Before her Vera Stanhope novels and the Shetland Quartet Ann Cleeves wrote 8 novels featuring retired civil servant George Palmer-Jones and his wife Molly who had been a social worker before the pair retired and devoted their time to bird watching and crime solving. The first of these is 1986′s A Bird in the Hand in which Tom French, one of the best bird watchers in England has his head bashed in George and Molly have to untangle a morass of rare sighting claims, unrequited love and various other elements of human nastiness.

In 1993′s Dead Man’s Island Carolyn Hart introduces Henrietta O’Dwyer Collins (known as Henry O) a retired journalist who seems to be able to do anything she puts her mind to. I didn’t actually like Henry O as much as I wanted to (a little too full of herself for my taste) but it is always good to see an older person being portrayed as intelligent and non-dithering. In this book she’s really put to the test as a group of people are marooned on an island in the middle of a hurricane and the storm isn’t the only thing trying to kill them.

I recently listened to The Water Room (2004) which is the second book of the Peculiar Crimes Unit series by Christopher Fowler. The two protagonists are John May and Arthur Bryant who should both have retired some years earlier but they have been retained due to their particular skills. In this book they investigate a series of deaths which no one is sure for some time are murders but alongside the main narrative there is an intelligent exploration of the aging process and how old people are treated by society.

Colin Cotterill‘s series featuring Dr Siri Paiboun is one of my very favourite to have an old person as its main character. We first meet him in The Coroner’s Lunch (2004) when Dr Siri is 72 and has been appointed, very reluctantly, as Laos’ first Coroner. As Dr Siri and his able assistants investigate a series of peculiar deaths we are treated to flashbacks of Dr Siri’s life as a doctor, communist activist and husband which is one of the nicer aspects of having old people as protagonists: they have lots of experiences to share with readers.

These are just a few of my favourite ‘old people’ of crime fiction. Do you have any favourite crime fiction tales to feature old people in a more flattering light than the stereotypes would suggest? Are you comfortable with the term ‘old’ or do you think we should refer to ‘the elderly’ or ‘seniors’? I feel like claiming the word old back from its stereotype-laden inferences which is why I deliberately chose it for ‘O’ week but I do draw the line at ‘geezer-lit’ – that is a term I just don’t like and won’t use.

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Kerrie at Mysteries in Paradise is hosting the crime fiction alphabet meme which requires the posting of an article relating to the letter of the week. Do join in the fun by reading the posts and/or contributing one of your own. You don’t have to write every week.

Review: The Water Room by Christopher Fowler

Hat tip to Karen Meek of Euro Crime for introducing me to this series of audio books, I will definitely be looking for more of them.

London’s Peculiar Crimes Unit is a fictitious (I assume, though it would be lovely to imagine it’s real) offshoot of the less peculiar police force which focuses on investigating those crimes which are difficult, time consuming or otherwise unprofitable for the mainstream force to concern itself with. The main investigators are two men past retirement age, John May and Arthur Bryant, and they have a small team at their disposal. In this outing the ‘crimes’ under the microscope were the death of an elderly woman (although she was sitting in a chair and fully clothed when she died she was found to have river water in her throat) and the strange undertakings by a disgraced academic who looks to be gearing up for a future life of crime. Ultimately the entire plot converges on the residents and houses of a single street

The story was a complicated one and I’ll admit to getting a bit lost with it a few times. It relied very heavily on an ability to visualise the setting (if it had been a print book I’d have been looking for a map) and also tended to wander down rabbit holes of varying depths and degrees of relevancy. Despite all that, or perhaps because of all that, I was engrossed. It ended up being an epic story which almost totally failed to go in a single direction that I predicted; a definite highlight for someone who has read more than her fair share of whodunnits. Along with the crime there is history, art, Egyptology and a half-dozen other subjects explored, several of which appeared to have nothing whatsoever to do with anything at all but which I found thoroughly entertaining.

But the real highlights of The Water Room are Bryant and May, as brought to life by Tim Goodman (I suspect this will be another series like the Grabenstein/Woodman collaborations which I only ever read in audio format). The characters are deliciously full of quirks and might just be the prototype for what all crime fighting duos will turn into if they work together long enough: resigned to the annoyances caused by the other’s shortcomings but usually quick enough to circumvent the worst impacts of those quirks. Bryant is socially awkward, has an eclectic collection of friends and ‘experts’ to call on for crime solving and a pathological inability to use technology without it breaking. Or worse. May is multiply divorced, loves gadgets (before Bryant breaks them) and is a master at getting people to tell him things they’d rather not. Their relationship with each other makes great listening, as do their interactions with their team, especially their long-suffering sergeant who once daydreamed of being a screen goddess and still wears the clothes.

This might not be the book for everyone, certainly not those who look for order and straightforward logic in their crime fiction. But if you don’t mind meandering your way to an entertaining denouement and you enjoy complex, well-drawn characters who demonstrate you can still be smart even after you have reached ‘a certain age’ then I would highly recommend this one. I have already got my eyes (ears) on the next in the series (and would love to listen to the first in the series but only books 2-6 of the 9 book series are available to me in Australia in audio format, the others are geo-restricted) (but I’ll save that rant for another day).

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The Water Room has been reviewed at Euro Crime

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My rating 3.5/5
Author website http://www.christopherfowler.co.uk/
Narrator Tim Goodman
Publisher Recorded Books [this edition 2008]
ISBN N/A (downloaded from audible.com)
Length 14 hours 17 minutes
Format audio (mp3)
Book Series #2 in the Bryant and May/Peculiar Crimes unit series
Source I bought it