The half-way point

As of the end of June I had finished 84 books (and abandoned another eight) which is a pretty good start to the year. I consider anything I rate 3 stars or above to be reading time well spent and 70 (or 83%) of the books I’ve read have fallen into that category this year. While this is obviously good news for my reading it does make choosing ‘best of’ lists quite hard. Kerrie at Mysteries in Paradise is, once again, collecting ‘best crime fiction books of the year so far’ lists and after much struggling I’ve come up with 10:

Left off this list (because if I didn’t stop at 10 I’d have listed the lot) were a whole load of great books. Most of these are listed on my 2011 reviews page (a few books have not been reviewed but that can’t be helped)

Review: Buried Strangers by Leighton Gage

The buried strangers of this book are the remains of dozens of people discovered in a secret cemetery in an urban forest outside São Paulo, Brazil. Chief Inspector Mario Silva of the Federal Police has to trick his self-absorbed boss into allowing him to travel from Brasilia to investigate the case. What he and his small team, which includes his nephew and fellow policeman Hector, discover is that the bodies were all buried relatively recently and that many of the graves contain multiple bodies including what appear to be family groups. Silva also makes use of the local detective who was first called in on the case and he starts to unravel the rather ghastly tale when he hears of a family that has recently gone missing.

Leighton Gage really is a terrific storyteller. In this book we spend a concentrated amount of time with several key characters on both sides of the law and Gage, using just the right mix of plot advancement and character background, absorbs the reader in each mini-story in turn and makes turning just one more page a necessity rather than an option. The various threads eventually wind their way to a satisfying and credible conclusion, though there are several twists away from the predictable along the way.

Something this book shares with its predecessor is a very strong sense of place with many aspects of Brazilian life and culture being depicted though, sadly, it is the unpleasant, uncomfortable elements that are the most memorable. We see public life in which corruption is the norm and integrity the exception. We also see a country where human life is not all equal, a theme all the more powerful because the author restrains himself from preaching or judging, choosing to demonstrate the reality through credible characters and situations which force the reader to ponder what they might do if confronted with similar circumstances.

There is also a really lovely sense of humour in the book, shown mostly through the relationships between Mario Silva and his team such as the gentle ribbing everyone gives Hector over his infatuation with a young pathologist. This adds to the credibility of the characters overall and offers some much-needed relief from the subject matter which, although less overtly violent than in the first book of the series, is at times equally harrowing. Buried Strangers has all the things that good crime fiction should offer: engaging characters, a rollicking good story and some things to make you think long after the book is back on the shelf.

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Buried Strangers has been reviewed at Crime Scraps and Kittling: Books

I have also reviewed the first book in this series, Blood of the Wicked

Norman from Crime Scraps also posted an interview with Leighton Gage just prior to the original publication of Buried Strangers in 2009. It is in three parts: one, two and three.

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My rating 4/5
Author website http://www.leightongage.com/
Publisher Kindle editiob [this edition 2010, original edition 2009]
ISBN this eBook edition did not have one
Length 251 pages
Format eBook (ePub)
Book Series Number #2 in the Chief Inspector Mario Silva series
Source Provided free by the author

Crime Fiction Alphabet: Q is for Quantico

For this instalment of the crime fiction alphabet we’re heading to a location in America that has become well-known to readers (and watchers) of crime fiction. Quantico is actually a small town (population 561) in Prince William County, Virginia but for crime fiction readers the name generally conjures up images of one of the military or law enforcement facilities that surround the town. It is the site of US Marine Corps’ largest bases and contains within it (among other things) the Marine Corps Officer Candidates School, the Marine Corps Research Center, the Marine Corps Brig (a military prison), the FBI Training Academy (incorporating the much-featured-in-crime-fiction Behavioural Analysis Unit) and a training facility for the Drug Enforcement Administration (DEA). Collectively these facilities and the people who work in them have become familiar to crime fiction fans.

One of the first books to feature Quantico in any detail was Thomas Harris’ Silence of the Lambs (published in 1988 though set five-years earlier) in which a young FBI trainee, Clarice Starling, is asked by Jack Crawford, head of the psychological profiling unit, to present a profiling questionnaire to Hannibal Lecter, a sociopath serving life in prison for a series of brutal murders he committed. As well as being in charge of building up profilers of all the worst killers in custody, Crawford is also on the trail of a serial killer who has been nicknamed Buffalo Bill who has killed several women in a particularly gruesome way. It becomes clear that Lecter knows something about the killer and a battle of wits begins.

Given that several characters in her long-running Kay Scarpetta series work for the FBI in one way or another, it’s no surprise that more than one of Patricia Cornwell‘s books features Quantico in some way. In the fifth book of the series, The Body Farm (1994), Scarpetta is investigating the murder of a young girl which has similar elements to earlier murders which were carried out by someone who has eluded the FBI. Kay is helped by her niece, Lucy Farinelli, who is now an intern at the FBI and looks set for a career at Quantico’s computer engineering facility before she engages in a disastrous relationship with a fellow Quantico employee.

Gene Riehl’s Quantico Rules (2003) is a bit of a departure from the serial killer hunts that tend to be the focus of novels in which the Quantico facilities are featured. Puller Monk is an FBI agent along with being a compulsive gambler and jolly good liar (he actually practices defeating lie detectors). He heads up the Special Inquiries (SPIN) unit and as the book opens is undertaking a routine (but thorough) background check of Judge Brenda Thompson who is the first African American woman nominated as a candidate for the Supreme Court. He learns that she has lied about what she was doing during a 3 week period over 30 years earlier and when he follows that lead a very nasty secret starts to unravel.

It’s also worth re-mentioning the book I featured for the letter Q the last time this meme was in play. Greg Bear’s Quantico (2007) is a cross between science and crime fiction. It is set in the near future when a massive terrorist attack has occurred in the US and the book follows the stories of two Quantico-based FBI agents, one a Muslim of Arabic heritage and one a man trying to live up to the legendary status of his father.

P.D. Martin‘s series featuring Australian-born FBI Profiler Sophie Anderson starts out with Body Count (2007). Sophie has left her job with the Australian police to join the FBI and when this book opens she has undertaken her training and is working at the Quantico-based Behavioural Analysis Unit. She starts experiencing nightmares of crime scenes. This would be fairly normal for a law enforcement officer except these are detailed images of real scenes that Sophie has not been anywhere near. Is she going mad or does she really have a capacity to see things from a killer’s point of view.

Many crime other crime fighters, such Leighton Gage‘s creation Chief Inspector Mario Silva of the Brazilian Federal Police who features in five books so far starting with Blood of the Wicked, spend time training at Quantico either as part of the narratives in which they appear or via their back-stories so the facilities really are an almost ubiquitous feature of crime fiction. Is this a feature of crime novels you have noticed? Have I missed your favourite Quantico-based book?

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Kerrie at Mysteries in Paradise is hosting the crime fiction alphabet meme which requires the posting of an article relating to the letter of the week. Do join in the fun by reading the posts and/or contributing one of your own. You don’t have to write every week.

Crime Fiction Alphabet: J is for Justice

My dictionary (the Macquarie Third Edition) (and yes I do still have a great, big physical dictionary that I can barely lift it’s so heavy) defines justice at some length but the first entry is the quality of being just; righteousness, equitableness, or moral rightness. Which makes justice about the most intangible concept I can think of, and certainly not something that the ‘criminal justice system’ seems to have a lot to do with on many occasions. When the kind of lawyer you can afford has more to do with determining your handling in that system than the crime you have committed it can’t really be justice, can it? I have a fondness for those works of crime fiction where the concept of justice is seen as something separate from whatever ‘the system’ might provide. I don’t think I’m advocating becoming a vigilante (though on some days….) but I like exploring the theme anyway.

This post has spoilers so if you haven’t read the book mentioned at the beginning of each paragraph and think you might like to one day, skip ahead.

Agatha Christie’s Murder on the Orient Express is probably the world’s best known work of crime fiction in which the idea of justice being applied to a criminal outside ‘the system’ is explored. When a man is murdered on the train that Hercule Poirot is traveling on, it falls to his little grey cells to work out that he was killed because of a despicable act he had committed in his past…an act he had not been punished for. Poirot, naturellement mes amis, also identifies who killed the man. But Poirot is asked, begged even, to consider not turning the murderer over to the authorities on the basis that the murder was a just one. And in the end, he agrees. I re-read the book last year and also recently watched the David Suchet TV movie of the story and both times was reminded what a difficult, soul- searching decision Poirot had to put aside his respect for the law in this instance (this version did a much better job of this than the 1970′s film with Albert Finney horribly miscast as Poirot).

Blood of the Wicked by Leighton Gage which I read earlier this year also tackles this theme, in an even more confronting way. The book is the first in the Brazilian series featuring Chief Inspector Mario Silva and it is the policeman’s own back story which addresses this notion of justice. Members of Silva’s family were killed when he was young and the perpetrators never found, until Silva was old enough to start tracking them down himself that is. And dealing out his own brand of justice when he did so. What makes his actions so thought-provoking is that he is a policeman himself now, and an honest one amongst many who are corrupt. Does he get a pass because it was his family? Is it OK to be handing out justice in whatever way you have available – sometimes within the law, sometimes not – as long as it’s morally right as per the definition?

Teresa Solana’s A Not So Perfect Crime is a lighter-hearted take on the theme, involving a pair of Spanish private detectives who are tasked with discovering if the wife of a prominent politician is having an affair which leads them to become involved in a murder case. And when they solve that they have to decide whether justice is served by alerting the authorities.

In Stieg Larsson’s The Girl With the Dragon Tattoo we find one of the most violent cases of justice being applied outside the law. The book’s heroine, Lisbeth Salander, having been raped by the legal guardian appointed for her by the State, takes matters into her own hands by luring the man into having another go then turning the tables on him and branding him (literally) as a rapist. It’s one of the most brutal scenes I’ve read in crime fiction and very confronting (not to mention seeing it depicted in the film version). And yet I will admit to feeling quite OK with Lisbeth’s actions upon reflection. I have to think this might be one of those instances where people’s views on whether or not what she did fits within the bounds of justice are determined by their gender? Or not?

What about you? Do you like crime fiction in which justice and the law don’t always follow the same path? Do have a favourite example? Or is justice being handled outside the law just one step away from total anarchy for you? Do you have an example of a book where it’s been done and you’ve disagreed with that?

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Kerrie at Mysteries in Paradise is hosting the crime fiction alphabet meme which requires the posting of an article relating to the letter of the week. Do join in the fun by reading the posts and/or contributing one of your own. You don’t have to write every week.

Review: Blood of the Wicked by Leighton Gage

I kicked off my 2011 Global Reading Challenge by visiting South America to meet Chief Inspector Mario Silva of the Brazilian Federal Police.

Bishop Dom Felipe Antunes arrives in the remote Brazilian town of Cascatas do Pontal to consecrate the newly built church of Nossa Senhora dos Milagres and is shot by a sniper the moment he steps from his helicopter. Mario Silva, Chief Inspector for Criminal Matters for the Federal Police is sent to the town to investigate the high-profile death. What he finds is a corrupt local police force with friends in very high places and near-war brewing between wealthy landowners and the farmers who are fighting for the law which says that uncultivated land can be appropriated for genuine farming to be enforced.

Immediately after the dramatic opening we jump to flashbacks of Silva’s early life which sets the tone for the kind of man, and policeman, he will become. We then return to the present where Silva and his nephew Hector Costa who is also a policeman, are behind the eight-ball in a town where people are scared of police (with very good reason). There are rumours that the Bishop was killed for enforcing the Catholic Church’s position not to support priests who espouse liberation theology (in short a radical approach to the redistribution of wealth) but there is little evidence available and no help from the local police.  When the adult son of one of the wealthiest men in the town disappears tensions are raised another notch. Silva is under pressure from constant phone calls from his Director to sort out the mess which is playing badly in the media and also from local activists who are desperate for genuine justice to be implemented in their town.

There is a real sense of the people and the place on display here: both of them vibrant and imperfect. We see a dark side of Brazil, where poverty and injustice prevail, that is not normally associated with the country. The characters meanwhile run the gamut from pure evil to near-saint, sometimes in a single person but all of them are very credible. Silva is a sympathetic protagonist, though not without his personal demons. It is in part through him that the author explores the nature of justice versus law and I can foresee this might be a theme that recurs in this series. And it is through Silva and the interplay between the members of his small team that we see the hints of humour necessary to relieve the tension that the bulk of the book is filled with.

There are books that gently draw you into their orbit and reveal their secrets like the opening of a delicate flower. Blood of the Wicked isn’t one of them. It opens with high drama and keeps you gripped in its clutches with the literary equivalent of g-forces acting on a speedily accelerating object. The writing is dynamic and makes the reader feel like a part of the story. You’re in the helicopter with the Bishop who is deathly afraid of flying in the “great, stinking, steaming merda“, you’re in the room when a woman’s fingers are hacked off one-by-one until her lover tells her torturer what he wants to know and, sadly for this claustrophobic, you’re in the box in a hole in the ground hearing the dirt slowly bury you. Blood of the Wicked is not for the faint-hearted; it is violent and there is a noticeable dearth of happy endings. But it has heart and suspense and most importantly of all, its social commentary and exploration of complex themes superbly integrated into the story rather than preaching at readers as so many books do.

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I am late to the party discovering this excellent series. Blood of the Wicked has been reviewed at Crime ScrapsMysteries in Paradise, The Game’s Afoot and The View from the Blue House.

Leighton Gage, who I shall lobby to make an honorary Australian as he lived here for a few years (and we do tend to appropriate talented people as our own), is one of the crime writers who posts weekly at the excellent blog Murder is Everywhere

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My rating 4.5/5
Author website http://www.leightongage.com/
Publisher Soho Crime [this edition 2010, original edition 2008]
ISBN this eBook edition did not appear to have one
Length 265 pages
Format eBook (ePub)
Book Series Number #1 in the Chief Inspector Mario Silva series
Source Provided free by the author