Crime Fiction Alphabet: M is for Movies

There are a few settings that feature more regularly in crime fiction than they do in most people’s reality, but perhaps none is more glamorous than the movie set. Loads of authors have set mysteries in or around the movies, some even have whole series set in the film industry. I suppose the authors are cashing in on society’s fascination with celebrities and the film world.

Anthony Boucher’s 1941 novel The Case of the Solid Key is his third novel featuring private eye Fergus O’Breen. Although the first body in this dramatic tale is discovered in a theatre it’s a theater in Hollywood and the motley collection of actors and crew hanging out there also have (or deeply wish to have) film careers and a movie studio does play an important role in the novel.

I only recently got around to reading Patricia Moyes‘ 1964 novel which takes place on the set of an independent film being shot in London, Falling Star. When the financially troubled film receives an injection of cash due to the slightly too well time death of someone Inspector Henry Tibbett of Scotland Yard steps in to solve this murder (and those which inevitably follow it).

In the 1980′s and 90′s George Baxt wrote a historical and mostly satirical series featuring a 1940′s private detective who worked in and around Hollywood. Each book would see a screen icon of the 40′s involved in some intrigue or other, often with countless other high profile names scattered throughout the stories as bit players. Agatha Christie even featured in The Bette Davis Murder Case which was a pretty far-fetched tale in which Ms Davis was doing a stage play in London and somehow got involved in helping Ms Christie solve the poisoning murder of her neighbour. Books like these make me wonder if an author can do just anything they like with a famous person’s name?

In 1994′s Dead Pan by Jane Dentinger, out of work New York stage actress Jocelyn ‘Josh’ O’Roarke is invited to Hollywood to work on a movie with a former out child star (who is also a recovering drug addict and recently orphaned). It’s not long before the director of photography turns up dead and Ginger (the aforementioned child star) is the main suspect. O’Roarke and the set’s hairstylist Jack Breedlove decide to solve the crime. This is part of a fun cosy series.

Australian crime writer Brian Kavanagh set the third of his Belinda Lawrence mysteries, Bloody Ham (2007), on the set of a period drama being filmed at historic Ham House in Surrey. Ostensibly on set to watch over some valuable props that her friend Hazel has hired to the film, Belinda soon finds herself a stand-in for one of the actresses and a suspect in the first (of several) murders that befall the shooting.

Perhaps Agatha Christie‘s The Mirror Crack’d From Side to Side would also qualify for this category given that it does feature an actress/film director husband and wife team? Or perhaps there is another Christie book that is more definitely placed in the film world?

Do you have a favourite work of crime fiction set on a movie set or somehow related to the world of cinema?


Kerrie at Mysteries in Paradise is hosting the crime fiction alphabet meme which requires the posting of an article relating to the letter of the week. Do join in the fun by reading the posts and/or contributing one of your own. You don’t have to write every week.

Review: Falling Star by Patricia Moyes

I often get the sense when traversing the crime fiction blogosphere that I am not nearly as knowledgeable as I ought to be about my preferred genre’s heritage so I’ve been making a bit of an effort to read books written before I was born. A couple of my recent attempts have ended in grumpy DNFs about which we’ll say no more so it was nice to actually finish one of these books.

Falling Star takes place in and around the set of an independent movie being shot in London in the 1960’s. Just as things are looking a bit grim financially one of the film’s stars dies in an accident which results in a cash injection from the insurance company. When production starts again one of the technical staff dies and it is soon determined she was murdered. In steps Inspector Henry Tibbett of Scotland Yard to investigate the death. The book’s narrator, a chap called ‘Pudge’ Croombe-Peters, is a social acquaintance of Tibbett’s so is well-placed to reveal the story as well as report on the continued drama unfolding at the film set.

Although the investigative protagonist is a professional detective rather than an amateur sleuth the book is similar in style and content to a contemporary ‘cosy’.  The nastier details of murdering and death are left to the imagination and the plot relies heavily on red herrings, a large cast of somewhat quirky characters and a complicated sequence of events that only a supremely intelligent investigator (or reader) could keep track of.

I found the book an easy, perfectly enjoyable read but I imagine the only things I will remember for any length of time are the annoying ones. The book is recounted in a style where the narrator often talks directly to the reader as if the events being described actually took place, for example “I am sure I do not have to remind you of the sensation that Robert Meakin’s death caused…”. I’ve never warmed to this style of writing and when added to the fact the narrator himself is so priggish and stupid that he warrants a good slap rather than a dose of sympathy I did find this aspect of the book a bit hard to take. However the story itself is well-plotted and the other characters enjoyable even if not drawn in any particular depth.

If you haven’t read any Patricia Moyes books (I know I’m not the only one) I would recommend this for fans of a blood-free read with an intricate puzzle to solve, especially the Anglophiles as it seemed to ooze ‘typical’ British-ness from every word.

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My rating 3/5

Publisher: Owl Books [originally 1964, this edition 1982]; ISBN:0-03-059784-6 Length: 255 pages

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